These large wall platters are sculptural. They would make for gorgeous table centerpieces, but are crafted with a foot and bottom to fit flat on a wall perfectly. Tension builds when seeing tick, heavy clay floating on the wall.
PLEASE NOTE: This platter has a crack on the side, clearly shown in the pictures. It is part of the art and on the platter on purpose. It will never change. If you don't like it, don't buy it.
This platter is particularly thinner and lighter. It was more risky, and it turned out beautifully. The fact that the crack glazed over, adding a rare bit of individual character, makes this risky platter more successful.
Great art appreciates in value over time. In my opinion, these platters are truly investments, as they have only ever appreciated in value as my lifelong pottery and art career have unfolded.
These photos below show my early college experiences with the two men. Voulkos passed away before I got my hands in clay. Studying, viewing and holding his art was the closest I got to him personally. Reitz (who was a close, personal friend of Pete) showed off his skills and radiated enthusiasm during a two day workshop I saw in college.
Reitz went through two wheelbarrows of clay in two days. He brought other artists to tears when talking about his art, life, friends and Pete. It was truly remarkable. I feel honored to have been able to document Reitz at 79 years old, throwing 100 pound platters like it was child's play.
You can learn more about how I crafted my career to follow in the footsteps of these men in my guest authorship for American Craft Council:
*The photo of me holding a Peter Voulkos platter is not the platter you are purchasing. It is a marketing photo, intended to show a link to my historical pottery influences only. You are purchasing one Cherrico Pottery platter only.
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